Sunday, May 01, 2005

The Tempest

One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage.

The Epilogue, spoken by Prospero, claims that "now my charms are all o'erthrown", appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But The Tempest is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his "rough magic" to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.

However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the "poisonous slave" Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that "this island's mine, by Sycorax my mother,/ Which thou tak'st from me". This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion.

--Jerry Brotton

Thursday, April 21, 2005

A Tale of Two Cities

They fled to London, seeking safety, and found each other--Dr. Manette, falsely imprisoned for decades; his daughter, Lucie, whose stunning beauty was matched by her loyalty and grace; and Charles Darnay, who abandoned a royal title he hated to risk being called a traitor in France, a spy in England. Together, their love touched the hearts of even stodgy banker Mr. Lorry and cynical, jaded lawyer Sydney Carton...

But in Paris, the fires of revolution exploded in uncontrollable fury. The noble goals of freedom fighters became the crazed bloodbath called the Reign of Terror. And when three exiles returned home on an errand of mercy, they were trapped in a nightmare of mock trials and made rage. Once in Paris, nothing could save Darnay, Lucie, or Manette...

Except a miracle.

Friday, April 01, 2005

Harry Potter and the Half-Blood Prince

J.K. Rowling has revealed three chapter titles from Harry Potter and the Half-Blood Prince to be:

Chapter Two: "Spinners End"
Chapter Six: "Draco's Detour"
Chapter Fourteen: "Felix Felicis"

A Few Words from J.K. Rowling

"I am an extraordinarily lucky person, doing what I love best in the world. I’m sure that I will always be a writer. It was wonderful enough just to be published. The greatest reward is the enthusiasm of the readers." --J.K. Rowling.
Find out more about Harry's creator in our exclusive interview with J.K. Rowling.

Saturday, September 18, 2004

A Midsummer Night's Dream

Traditionally seen as one of Shakespeare's more romantic and enchanting plays, A Midsummer Night's Dream has more recently been seen as a darker and more sinister play than generations of school children have ever imagined.

The play has usually been seen as a comical tale with confused identities and the fickleness of youthful love, as the young lovers, Lysander, Hermia, Demetrius and Helena escape parental control and the "sharp Athenian law" of their elders by eloping into the forest outside the city. Unfortunately they stumble into civil war in fairyland, where King Oberon and Queen Titania fight over possession of a beautiful young Indian "changeling" boy.

The appearance of the "rude mechanicals", a group of Athenian workers, including the weaver Nick Bottom, compounds the confusion. Chaos, confusion and "shaping fantasies" reign before the final settlement of the play, but underneath all the hilarity many critics have discerned more ambivalent attitudes towards coercive parental control, bestial sexuality and the destructive power of desire.

These approaches in no way detract from the exquisite lyricism of many sections of this Shakespeare Play, but make it a more complex and effective comedy than has often been appreciated.

--Jerry Brotton

Wednesday, September 01, 2004

Pride and Prejudice

Elizabeth Bennet is the perfect Austen heroine: intelligent, generous, sensible, incapable of jealousy or any other major sin. That makes her sound like an insufferable goody-goody, but the truth is she's a completely hip character, who if provoked is not above skewering her antagonist with a piece of her exceptionally sharp -- but always polite -- 18th century wit.

The point is, you spend the whole book absolutely fixated on the critical question: will Elizabeth and Mr. Darcy hook up?